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A religious hymn played as the models

Italy: Alessandro Michele’s latest collection for Gucci was shown under unrelenting, even blinding, strobe lights that the designer said in some way evoked the intensity of everyday life.Still, the combined menswear and womenswear collection had a tougher, more masculine edge, shrinking ever so slightly from the designer’s gender-bending musings of past seasons. It was at its heart the exploration China Disposable Protective Clothing of the suit, with broad shoulders and unfinished edges and a stronger silhouette.. “The ancient world sang about the marvels of being between two sexes. Boyish striped sweaters tucked into patterned jeans. Gold-cast ear covers gave a theatrical accent to the looks. Michele chose a mask as the metaphor for the collection, noting that “clothing is our mask, which both shows and hides. A gray jacket featured three concentric rounded collars, like shawls, worn with trouser pants.

A religious hymn played as the models walked deliberately, almost robotically. Today it is one of the more difficult masks to wear, but being a hybrid is a blessing,” Michele said.The looks also combined a sense of protection and also aggression with spiky accents on the looks and on belts worn cross body.”The show invitation was glued inside a paper-mache mask of Hermaphrodite, homage to his exploration of genderless dressing. An elaborate ruffle and lace collar peaked out of an overcoat, worn with baggy trousers.For women there were pretty silken shirts with pleated peplums over straight skirts.

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