“This week has expanded and expanded — it’s been amazing to see. South Korean Kyungah Ham’s embroidery gold chandeliers also glitter, but make a political point — they use textiles made in North Korea to highlight the contrast between the two nations, and the gulf between the impoverished and political class.Better museums and an education system that emphasises the arts from primary school age were key to building up cultural capital, he said. The Hong Kong edition of the show, which also takes place in Basel and Miami, is now in its fourth year and has helped feed the city’s reputation Rechargeable Alkaline battery Manufacturers as an art hub for Asia.” In a more extravagant installation, Chinese Zhang Ding’s “18 Cubes” shines brilliant gold — with visitors encouraged to leave their mark by scratching and defacing the glinting surfaces.Wulia spent two years on the project tracing the cardboard’s route through Hong Kong, including collaborating with Filipina domestic workers who use cardboard to create windbreaks for themselves when they gather in the city’s public spaces to socialise on Sundays.“For me it’s connecting the art fair to the rest of the world and the real Hong Kong. “I feel sometimes the art fair is quite detached — people fly in and fly out,” says Mr Wulia, born in Indonesia and based in Australia.
But in a refreshing antidote to the champagne and glitterati, one of the most prominent exhibits at this year’s edition is Tintin Wulia’s grand-scale “Five tonnes of Homes and other Understories”.A host of new galleries have opened in recent years and major arts complex M+ is under construction.Private Riots by Tromarama is on display at Art Basel in Hong Kong.“Once we do that, maybe in five years, it will be good,” he said.VIP guests flooded into the sprawling two-floor exhibition at the harbourfront convention centre, with more than 200 galleries from around the world hoping collectors will bite, despite China’s economic downturn. Tuesday’s opening kicks off two days of private views before the public are given access Thursday, in a week when Hong Kong becomes a frenzy of art events. Both groups are an integral part of Hong Kong’s landscape — both belong to an underclass a world away from art’s big spenders. British artist Tracey Emin launched her first ever solo show in greater China in Hong Kong Monday, and Japanese artist Tatsuo Miyajima has his latest light creation beaming out of the city’s highest tower each night.
“We are an art hub in the sense of (being) a market where people buy and sell because of the low tax,” says art critic John Batten..”But critics say Hong Kong’s art scene is still too commercially focused.“We never thought we’d establish ourselves so quickly,” says Art Basel director Marc Spiegler.Huge compacted bales of cardboard decorated with murals hang from chains forming a spiral — a reminder of the city’s ubiquitous elderly cardboard collectors who hunch over trolleys and deliver to recycling depots in exchange for a few dollars.(Photo: AFP)Giant gold cubes designed to be defaced and a large-scale tribute to Hong Kong’s lowly cardboard sellers took centre stage as Art Basel opened its doors in the city Tuesday. Private Riots depicts giant gold cubes, designed to be defaced, giving a large-scale tribute to Hong Kong’s lowly cardboard sellers
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