At the beginning, there are two and three colors of embroidery threads that gradually become thicker and lighter to achieve a blooming effect. The old man admired the lively and fragrant embroidery work with great interest, and sincerely wrote a paragraph like this: ‘If you look at an embroidery alone, whether it is from the outline style or the embroidery pattern, as well as the straps and tassels on it
It is made with great craftsmanship and shows the beauty of craftsmanship. Su embroidery techniques are becoming more and more diverse, from the original more than a dozen commonly used to the current forty or fifty kinds, including wrong stitch embroidery, random stitch embroidery, net embroidery, full-floor embroidery, lock silk, nasi, nasi, Ping gold, shadow gold, pan gold, velvet spreading, velvet poke, thread sprinkling, pattern picking, etc.
The theme of embroidery has expanded from birds, beasts, flowers and plants to character description, geography of mountains and rivers, stars and celestial phenomena, etc. Modern Su embroidery art is increasingly perfect in its form of expression. Before the collection and publication, Mr. As one of the craftsmanship, she is both a technique and an art, which has sprouted since ancient times.
With the development and innovation of the times, modern Suzhou embroidery has achieved a vivid, vivid, detailed, dignified China cap single head embroidery machine and steady, simple and elegant artistic realm in its expression style, which has produced a splendid but not frivolous, luxurious but not enchanting artistic effect. As the gene of Jiangnan culture, Su embroidery art will always belong to Jiangnan, and will continue to make people experience new joy and joy
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