The hotel complex, which includes a seaside sculpture park, also is home to work by, among others, Jennifer Bartlett, Jonathan Borofsky, David Hockney, Bruce Nauman, Niki de Saint Phalle, Frank Stella and Andy Warhol. It’s a dream come true for China wholesale Truck Fuel Pumps those of us who have always wanted to spend the night in a museum.Because I had just emerged from the gloom of a tree-lined approach, the white stones that paved the courtyard seemed impossibly bright. Yet the spaces are filled with natural light. He died in 1985, but his son, Soichiro, a collector of contemporary art, took his father’s vision further, saying in an online welcome message that the island is “a place where art is not experienced by studying set attitudes but appreciated on your own terms. Then, my eyes caught something unexpected: a flight of chunky glass steps, a very modern touch on a renovated shrine. The museum is a short bus or bike ride from Benesse House. In 1992, an Ando-designed hotel-and-art complex opened, Benesse House. I got a thrill passing one of Hiroshi Sugimoto’s extraordinary photographs of theaters on my way to breakfast the two mornings I spent at Benesse House.Benesse House is named for Japan’s Benesse Corp.In another Ando museum on Naoshima, dark hallways lead like journeys to the revelations contained in the precise paintings and bold stone and steel sculptures of Lee Ufan, who was born in Korea and established himself as a leading figure in Japanese contemporary art. Artists have made galleries and installations out of abandoned homes, temples, a dentist’s office and a hangout for players of the board game Go.
The house literally and figuratively embraces exhibitions on Ando’s work, which is rooted in the simplicity of traditional design and casts an admiring glance at ancient craftsmanship. More than occasionally, I spotted humble roadside Shinto shrines at which the faithful had left flowers and other offerings.Ando got a museum of his own on Naoshima in 2013.”Naoshima is craggily scenic, and so densely forested that the trees and ferns compete with sand for footholds along the shore. The glass stairs echoed timber risers I occasionally saw dug into the surrounding hills to ease the way for pedestrians. Benesse founder Tetsuhiko Fukutake bought land on Naoshima as a base to explore ideas about nurturing children and worked with locals on projects linking economic and cultural development. The Honmura neighborhood also is home to another Benesse initiative, the Art House Project launched in 1998. Seeing them, it was easy to imagine the island and its art-itecture teeming with spirits.
The steps link the hilltop shrine to an underground stone chamber. Anyone can view the art, but hotel guests get after-hours access. Over the next decades, Ando designed several more buildings for Naoshima, including additional suites of rooms for Benesse House, with the most exclusive connected to the main galleries by monorail.For a 1989 festival, Ando designed a campground where the public could contemplate art and Naoshima’s natural beauty. A Claude Monet painting of water lilies hangs in a room over a floor of white stone cubes that reminded me of the bright stones in the shrine courtyard elsewhere on the island. Chichu means underground, and the galleries are buried into a hillside so that they become part of the island’s dramatic landscape. Chichu also houses installations by James Turrell and Walter De Maria. The architect set a concrete box inside a century-old house in Naoshima’s Honmura area.My trip to Naoshima was something of an Ando pilgrimage.. My daughter came up with the phrase “art-itecture” during our visit to Naoshima because we focused so much of our attention on Ando’s buildings, and less on the artworks they house.Encountering surprising and beautiful juxtapositions defined my visit to Japan’s Naoshima, a small island that Pritzker Prize-winning architect Tadao Ando has helped transform into a destination for lovers of contemporary art and design., whose holdings include Berlitz, the language education company.Perhaps the most stunning of Ando’s structures is the Chichu Art Museum, which opened in 2004.The glass steps that caught my eye are part of an Art House Project renovation of an Edo period shrine by Sugimoto. A giant spotted pumpkin by Yayoi Kusama that sits on a pier jutting into the Seto Inland Sea has become a mascot for the enterprise. Before it became an arts destination, its economy centered on salt, fishing and manufacturing. I’d admired the work of the Japanese-born, internationally known Ando at the Art Institute of Chicago, where he created a powerfully contemplative gallery for Japanese screens using simple pillars and lines of light and shadow
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